ERIC ANGUS WHYTE
Eric Angus recently released Always Home, a debut CD that reflects his experiences over the past two and a half years. Eric was born in Sydney and spent much of his growing up years moving with his family. Whether living in the UK or even in Halifax, he retained much of his connection with Cape Breton by listening to the Rankins, Barra MacNeils and the Summertime Revue. Music became a central thread to weave ties to his 'essential' home. Years later, after spending college time in the UK and Europe and then later in the music program at Dalhousie University, Eric returned to Cape Breton to lay tracks down at Lakewind Studios.
Always Home evokes a variety of responses as the twelve tunes run the gamut from clear cool folk numbers to edgy pieces with crisp lyrics and memorable tunes. The songs have a gravitas and depth that come off sounding like the best work of a seasoned veteran of the folk industry. The CD is collecting lots of important admiration. Rob Wilson, former owner/operator of the famed Red Shoe Pub said, “I’ve been a little jaded by the music I’ve received in the past six years. Always Home was a great delight to play. The recording is wonderful… This is a very good album.” Wendy Berfgfeldt, CBC Cape Breton host and producer, adds “Sophisticated lyrics, haunting melodies… this singer songwriter is as hip and smart as he is compelling. Eric Angus Whyte is the artist to watch this year.” Glenn Meisner, music producer for CBC Maritimes says, “Following in the traditions of the great Cape Breton songwriters comes Eric Angus Whyte. His debut CD Always Home shows a lyrical maturity far beyond his years.”
Where did the music come from? Eric credits this first CD as a product of his years of moving around, playing on streets in England, at Dougie MacLean’s pub in Scotland, in Milan and Barcelona, here and there but away from home--pleasant and painful experiences; this is the stuff that plays in the songs. Listeners can relax with it and hopefully… replay their own journeys.
Always Home features some great backup talent--notables include production and guitar by Fred Lavery, multiple ECMA Award winner Gordie Sampson, Lucy MacNeil of Barra MacNeils and other great musicians like Stephen Muise, Allie Bennett, and Brian Talbot. Eric Angus plays guitar and harmonica (not surprising--he kind of looks like Dylan too). The total package comes off as very well produced but retaining raw qualities that prove it’s real and didn’t churn out of a new age synthesizer.
Eric Angus is first and foremost a songwriter, and he’s prolific. He’s building a substantial repertoire of new, original material with subject matter ranging from spiritual life to economics. In all of it, he keeps coming up with insights, amazing word play and, perhaps most interestingly, great scores. Pieces vary from restless to joyful. They are entertaining and engaging, thought provoking and nostalgic. His songs cover a wide spectrum topically, but manage to squeeze into the folk genre. While they might stretch traditional boundaries, Eric’s still been comfortable and well received in venues like North by Northeast and the Stan Rogers Folk Festival.
So… what’s up these days? Besides opening for Raylene Rankin, Gordie Sampson, Crush and the Barra MacNeils, he’s shared the stage with Joel Plaskett, Ron Sexsmith and Tom Russell. Eric’s been doing a lot of solo performances and songwriters' circles. His stage banter is engaging and brings the audience into his world. Stories between songs are sometimes funny and alternately serious; always relevant.
These days, between engagements, he lives in Boularderie Island, writing, playing, and developing new material. He was recently been nominated for the ECMA Folk Recording of the Year.